THE EXQUISITE CORPSE
It
is not possible to think unpredictably by looking harder and longer in
the same direction. When your attention is focused on a subject, only a
few patterns dominate your thinking. These patterns produce predictable
ideas no matter how hard you try. In fact, the harder you try, the
stronger the same patterns become. If, however, you change your focus
and combine your subject with something that is not related, different,
unusual patterns are activated.
Try
an experiment. Pick eight random words and give the list to someone or
to a small group (for example: flower pot, baby, glass, grasshopper,
coffee pot, box, toast and garage). Ask them to divide the words into
two groups without giving them any rationale for the division. You will
discover that people will come up with some very creative
classifications. They
will
group them according to “words with the letter o”, “things that touch
water,” “objects made in factories,” and so on. No one ever says there
is no connection, they invent them.
Though
we seldom think about it, making random connections in such a manner
are conceptual creative acts. In my years of studying creativity I
discovered numerous techniques that creative geniuses used throughout
history to create random conceptual acts to create novel and original
ideas.
Making
random connections were popular techniques used by the extraordinary
artist Jackson Pollock to create conceptual combinations in art. One of
his favorite techniques was named “The Exquisite Corpse” after a session
that contained those words during a session. Each person in a group
would take turns, each contributing any word or phrase that occurred to
them without seeing what the others had written. They would then mix and
remix the words and phrases into various combinations of concepts.
In
one session they explored new ways to make statements with paint. The
word “drip” was among the words the group suggested that intrigued
Pollock. This resulted in a new style of what he called “drip” painting
that made him world famous. His signature style involved laying a canvas
on the floor and pouring paint onto it in continuous, curving streams.
Rather than pouring straight from the can, he applied paint from a stick
or a trowel, waving his hand back and forth above the canvas and
adjusting the height and angle of the trowel to make the stream of paint
wider or thinner. Pollock created a tension between the dynamics of the
paint and the message of the painting.
BLUEPRINT
Have the group bounce ideas and thoughts about the subject off each other for five to ten minutes.
- Then, ask the participants to think about what was discussed and silently write one word that occurs to them on a card.
- Collect
the cards have the group combine the words into a sentence (words can
be moved and added by the group to help the sentence make sense).
- Then invite the group to study the final sentence and build an idea or ideas from it.
Chemist
Karl Kreckman was assigned to work on various ways to protect seed corn
from the elements. Karl was a fan of abstractionist art and decided it
would be fun to try Pollock’s technique. He collected a small group of
friends and told them to think about how to protect plants and trees
from the elements. Some of the words they contributed were fur, sun
lamp, indoors, tents, covering, clothing.
The
person who offered the word “fur” said he imagined making fur coats and
hats for all the trees to wear in winter. They laughed at the image.
Days after the meeting Karl was thinking about the words fur, covering
and clothing. This got him thinking about synthetics, including polymers
that make clothing, which triggered his idea to create intelligent
polymer seed coatings, which shift properties as conditions change. The
seeds can be planted in any weather or season. They lie protected and
dormant when it’s cold outside and sprout as soon as the soil reaches
the right growing temperature.
OUT OF THIN AIR
An
Alzheimer’s organization planned to have an auction to raise money for
their cause. They planned an elaborate, sophisticated evening and looked
for unusual items they could auction. They tried the “exquisite corpse”
technique. Some of the words they came up with were people, cruises,
creative, furniture, charity, designer, custom, art, thin air, and
celebrities. One of the connections was: create----art----thin air. This
triggered their idea which was the sensation of the auction.
They
sold an idea for an artwork that doesn’t exist. They talked a local
conceptual artist into describing an idea for an artwork. The idea was
placed in an envelope and auctioned off for $10,000. Legal ownership was
indicated by a typed certificate, which detailed how the artwork was to
be produced by the owner which includes consultation with the artist. The owner has the right to reproduce this piece as many times as he likes.
-------------------------------------------------------------------------------------------------------------
Why
isn’t everyone creative? Why doesn’t education foster more ingenuity?
Why is expertise often the enemy of innovation? Best-selling creativity
expert Michael Michalko shows that in every field of endeavor, from
business and science to government, the arts, and even day-to-day life —
natural creativity is limited by the prejudices of logic and the
structures of accepted categories and concepts. Through step-by-step
exercises, illustrated strategies, and inspiring real-world examples he
shows readers how to liberate their thinking and literally expand their
imaginations by learning to synthesize dissimilar subjects, think
paradoxically, and enlist the help of the subconscious mind. He also
reveals the attitudes and approaches diverse geniuses share — and anyone
can emulate. Fascinating and fun, Michalko’s strategies facilitate the
kind of light-bulb moment thinking that changes lives — for the better.
Michael
Michalko is the author of the highly acclaimed Thinkertoys: A Handbook
of Creative Thinking Techniques; Cracking Creativity: The Secrets of
Creative Genius; ThinkPak: A Brainstorming Card Deck and Creative
Thinkering: Putting Your Imagination to Work. creativethinking.net/#sthash.SXV5T2cu.dpbs
No comments:
Post a Comment